Embrace a wool rug where the pattern is woven, not printed
A jacquard weave builds its motif into the structure of the cloth. On this 200 x 300 cm rug that means the zebra design exists as a change in pile height across the surface: some areas sit proud, others are cropped shorter, and the 3D effect comes from the shadow that falls between them. Nothing is stamped or dyed onto the finished piece, so the pattern cannot wear away with use. It is the same reason the design shifts as you cross the room and the light strikes the pile from a new angle.
The material is wool throughout, chosen because it holds a defined pile better than most fibres. Crushed underfoot by a chair leg, wool recovers; it also resists soiling, since the natural crimp of the fibre keeps dirt near the surface where hoovering can lift it away. In a Japandi scheme, this is the piece that stops a pared-back room feeling austere, adding pattern without introducing a single strong colour.