White Linen Japandi Wall Art framed linen relief White Linen Japandi Wall Art White Linen Japandi Wall Art White Linen Japandi Wall Art White Linen Japandi Wall Art White Linen Japandi Wall Art White Linen Japandi Wall Art
White Linen Japandi Wall Art framed linen relief
White Linen Japandi Wall Art
White Linen Japandi Wall Art
White Linen Japandi Wall Art
White Linen Japandi Wall Art
White Linen Japandi Wall Art
White Linen Japandi Wall Art

White Linen Japandi Wall Art

£135.00

Add depth without colour using this white linen wall art, framed and raised in geometric relief.

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Explore Relief Worked Into White Linen

This is a white linen picture whose interest is entirely tactile: the geometric forms are raised from the surface as a relief feature rather than painted onto it, so the piece reads as a shallow sculpture held in a frame. With no colour contrast at all, the composition depends on shadow, which means it changes appearance from morning to evening and looks quite different under a wall light than under a ceiling fitting. At 80 x 100 cm it gives a plain wall texture without adding a single new tone.

Each piece is made using traditional methods, so the height of the relief and the exact tension of the linen vary between examples and every one is exclusive. The supplied frame gives the linen a clean edge and keeps the fabric taut, which matters more for a relief surface than for a flat print. In a Japandi room built on white walls and pale timber, this kind of textured wall art supplies depth where a coloured picture would break the calm.

Two Orientations From a Single Piece

A D-shaped ring hanger comes fitted to the back, so the only decision left is the fixing: an anchor in plasterboard, a plug in masonry, a hook in a timber stud. Because the geometry is abstract, the artwork can be hung vertically or horizontally and each way gives a different room. Vertical suits a narrow chimney breast or the wall beside a door; horizontal spreads the relief above a bed or a long sideboard and lowers the visual centre of a tall room.

Light placement is the real skill with a monochrome relief. A lamp or picture light set to one side and slightly above will rake across the geometric shapes and deepen every shadow, whilst light thrown straight at it flattens the piece completely. For upkeep, brush the linen gently with a dry soft brush and keep water away, since damp marks linen permanently. Set against natural materials such as oak, rattan and stone, the white surface stays the brightest point in the room.

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