Beige & Black Japandi Cushion Cover in hand-woven checked jacquard Beige & Black Japandi Cushion Cover Beige & Black Japandi Cushion Cover Beige & Black Japandi Cushion Cover
Beige & Black Japandi Cushion Cover in hand-woven checked jacquard
Beige & Black Japandi Cushion Cover
Beige & Black Japandi Cushion Cover
Beige & Black Japandi Cushion Cover

Beige & Black Japandi Cushion Cover

£34.50

Introduce graphic calm with this hand-woven checked jacquard cushion cover in beige and black, a pattern built into the weave itself.

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Embrace the woven geometry of a checked jacquard cushion

What separates this from a printed cushion is where the pattern lives. On a checked jacquard cushion cover the beige and black grid is produced on the loom, with the colours interlacing through the cloth rather than sitting on the surface as ink. That construction is why the check keeps its crispness through years of leaning, and why the reverse of the fabric carries the same geometry in negative. The scale of the check is deliberately restrained: close enough to read as texture from across a room, distinct enough to hold its own beside plain upholstery.

Every cover is hand-woven, so no two are identical. Slight variations in the alignment of the check and in the density of the beige ground are the signature of a loom worked by hand, and they are what makes each piece exclusive rather than uniform. The beige and black colourway is the most graphic in the range, though the design is available in more colours if you want the same structure in a softer register. At 45 x 45 cm it suits sofa backs and armchairs equally well.

Pairing a monochrome check with a quiet interior

A check this defined works best when it is outnumbered. Set one or two against plain linen and cotton covers and the black and beige cushion becomes the punctuation in the arrangement instead of competing with it. The beige ground is warm rather than grey, which lets it sit comfortably against oak, rattan and unbleached textiles, the usual vocabulary of a Japandi living room. On a darker sofa the pale ground does the lifting; on a pale one the black grid supplies the contrast the scheme is missing.

Because the pattern is woven jacquard rather than surface printed, wear tends to show as a gentle softening of the yarn rather than as fading or cracking. Hoovering the cover with a brush head lifts dust from between the raised checks and keeps the geometry sharp. Handle the corners gently when you dress the cushion: the hand-woven cloth has a little give, and easing rather than pulling it into shape preserves the alignment of the grid. Rotate it with your other covers so daylight reaches each face evenly.

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